Art Gallery

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A heritage investment neighbouring St Vincent’s hospital has successfully transacted for $5,100,000 to a local developer in Melbourne’s city fringe. 
The property located at 11 Brunswick Street, Fitzroy, borders St Vincent’s Hospital – which is set to undergo a $60 million redevelopment – and was transacted by CBRE’s Healthcare &amp; Social Infrastructure and City Sales &amp; Development Sites teams. 
Being offered with vacant possession, the site is currently occupied by Alcaston Gallery – one of Melbourne’s leading contemporary art galleries. 
CBRE’s Josh Twelftree, David Minty, Jimmy Tat, Sandro Peluso and Dylan Kylner steered thecampaign, which garnered interest and multiple offers from both developers and healthcare owner-occupiers. 
“11 Brunswick Street attracted significant interest from a range of buyer profiles, however, most notable were owner-occupiers in the healthcare sector and residential developers,” said Mr Twelftree. 
“Given the 11-level redevelopment of St Vincent’s, the property offers strong incentive for ancillary usages.” 
Mr Minty added that the property was one of the most attractive in the CBD, featuring a standout heritage façade. 
“Given the flexibility of the seven-level Development Approval behind the façade, the opportunity resonated with a variety of end users,” Mr Minty said.   
Established in 1989, the Gallery features a national and international exhibition schedule and represents contemporary artists from Australia and the Asia Pacific Region.
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Fitzroy's Alcaston Gallery sold for $5.1 million

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Dangrove, the Alexandria warehouse designed by architect Alec Tzannes, has won the Harry Seidler Award for Commercial Architecture at the National Architecture Awards.
It was designed specifically for art collector Judith Neilson's collection, one of the largest Chinese private art collections in Australia.
The state of the art facility with 10,000 square metres of space has the functionality and flexibility to not only store and display artwork, but also host private events.
<img src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,q_auto:good/https://s3-ap-southeast-2.amazonaws.com/po.images/2019/11/7/Dangrove%202.jpg" alt="">
At the centre of Dangrove is the Great Hall. 
The grand room, around 90 metres long and 18 metres wide, is used for art to be temporarily displayed, evaluated and curated.
"The plan is formed by regular bays across the length and in cross section by a ceiling that steps in height from 6m to 28 metres at each bay," Tzannes describes the space.
"A soft even light floods this space through a double skin of UV reducing polycarbonate material above a wall datum of polished concrete.
"Sculptural concrete skylights terminate the Great Hall at each end to heighten the sensory experience of natural light within."
<img src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,q_auto:good/https://s3-ap-southeast-2.amazonaws.com/po.images/2019/11/7/Dangrove%204.jpg" alt="">
Dangrove is designed with a minimum 100 year life, delivering low net energy use and a low carbon footprint.
The upper level of the two storey facility is split in to two parts, with an adjoining sculpture garden.
The first art evaluation space is the long room which runs along the street with a scalloped concrete ceiling. 
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Tzannes-designed Dangrove wins Harry Seidler Award

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Art collector Peter Maddison has listed his long held Surry Hills commercial premises.
Maddison, who paid $840,000 for the 1830s built sandstone property, opened Filter Fine Art on the ground floor of <a href="https://www.realcommercial.com.au/for-sale/property-201-albion-street-surry-hills-nsw-2010-503353434" target="_blank">201 Albion Street </a>last year along with Dr Ian Geraghty.
Previously it had been Badger &amp; Fox Gallery.
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One of Filter Fine Arts earliest exhibitions were British artists known internationally.
Works from the likes of Tracey Emin, Antony Gormley and Damian Hirst were featured. 
The property, offered as a freehold, is also being marketed as having residential potential with four upstairs bedrooms.
The gallery space downstairs would act as the open plan living and dining areas. There's a recently added open living room that flows to an architecturally designed rear courtyard.
In the courtyard is a heated swimming pool and a built in barbecue. The entire roof was also recently replace, with extensive solar panelling installed.
<img src="https://res.cloudinary.com/dz9xllyip/image/fetch/c_scale,w_580,q_auto:good/https://s3-ap-southeast-2.amazonaws.com/po.images/2019/10/8/201%20Albion%20Street%20Surry%20Hills%203.jpg" alt="">
There are nine cameras as part of the state of the art security system.
One Commercial agents Simon Kent and Joshua Charles have the listing, with offers between $4 million to $4.2 million being sought.
Peter Maddison studied advertising and fashion photography at Medway College of Design (now UCA) and has worked as a photographer in the UK and overseas.
Since 1986 Peter has been a director at Flash Graphics with large format graphic production facilities in Sydney, Brisbane and Canberra.
Flash Graphics is currently a sponsor of the National Gallery of Australia and has worked closely with them on projects including ‘James Turrell – A Retrospective’, ‘Mudmen’ by Ramesh Nithiyendran, Fiona Hall’s ‘Wrong Way Time’ and ‘Light Moves: Contemporary Australian Video Art."
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Art collector Peter Maddison lists Surry Hills gallery and residence

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The closed Watters Gallery building in East Sydney has been listed for the first time in more than five decades. 
It goes to March 14 Colliers auction.
The three-storey Victorian corner terrace was built in the 1850s.
It saw many exhibitions by many top artists, including Reg Mombassa.
Its long-time owners, Frank Watters and Geoffrey and Alex Legge, are retiring and moving to the country.
Colliers agent Miron Solomons said the gallery opened in 1968.
"It would be ideal for a really cool creative as a corporate HQ and is ready to be transformed into something a little bit unique," Solomons said. 
There is buyers’ interest above the $5 million mark for the 578-square-metre freehold building at 109 Riley Street, on the corner of Stanley Lane in East Sydney.
There is 578 square metres of space is the gallery that closed in 2018.
Solomons said it was originally the site of a boot warehouse in 1858.
It became the Victoria Hotel between 1863 and 1870, and from 1871 The Harp of Erin Hotel.
In 1921 the building was used as a shop with the flat above and then altered in 1968 to accommodate the gallery.
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